Bark and Bones
Bark and Bones series is a continuing series. I, periodically consider ending Bark and Bones, but another idea enters my mind. I continue. Recently, the forest fire series entered my brain. As with all my work, the conceptual framework is regeneration, transformation. What is left behind, what can I re-collect, acknowledge the passing and climate change. It is ironic, however, the original bones and bark may outlast my replicas.
The process is intense. I find the object or an idea finds me. I begin making molds. Sealer and mold release are applied to the object, and, then, the mold material, which is a silicone, is applied. Two coats of mold material are applied, drying between coats. At least two coats of plaster bandages are applied to the silicone making the mother mold. Following that drying, the entire mold is deconstructed, removed from the positive. Two or three part molds are reconstructed. The molds are then ready for beeswax application. Beeswax is used because of the wonderful smell, and it is natural. The beeswax is generally not cast, in the sense of being poured, rather painted into the mold in thin layers. I want an ethereal, delicate, translucent feel to the pieces, therefore, the final mold is usually thin and fragile. Final step is painting the beeswax with oils. This continues to be a learning process.